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女性凝视与反凝视视域下《听见她说》中的女性主体性分析

The Analysis of the Female Subjective in the Net Play Hear Her from the Perspective of Female Gaze and Anti-gaze
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摘要 由女性创作团队主导的国内首部女性独白剧《听见她说》,在故事内容和镜头表达上体现出强烈的女性主义特色。剧中通过对不同女性的镜头凝视,揭示出她们所处的社会困境;而女性人物直视镜头诉说、与镜头外的观众直接交流的处理,则不仅是打破“第四堵墙”的戏剧尝试,更是一种女性对抗“男性凝视”和社会规训的“反凝视”。编导运用女性凝视的镜语着力建构出女性的主体性。 The first domestic female monologue play“Hear Her”,led by a female creative team,shows strong feminist characteristics in the content of the story and the expression of the shots.In the play,staring at different women through the lens reveals the social dilemma they are in;the way female characters looking directly at the camera and communicating directly with the audience outside the camera is not only a dramatic attempt to break the“fourth wall”but also a kind of“anti-gaze”that women fight against“male gaze”and“anti-gaze”in the social discipline.The director uses the lens language of female gaze to construct female subjectivity.
作者 杨祎 YANG Yi(College of Historical Culture and Tourism,Shaanxi Preschool Normal University,Xi’an 610116,China)
出处 《渭南师范学院学报》 2022年第3期82-86,共5页 Journal of Weinan Normal University
关键词 《听见她说》 女性凝视 反凝视 女性主体性 Hear Her female gaze anti-gaze female subjectivity
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  • 1[1]Iris Young. Socialist Feminism and the Limits of Dual System Theory[J]. Socialist Review, 1980, (3) :7 - 12.
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  • 3[3]C@L@Bacchi. Same difference Feminism and Sexual Difference [M]. New York:Allen and Unwin, 1990.
  • 4陈铉美.当今世界女性主义批评的潮流与动向[J].东南亚研究,2001(2):69-73. 被引量:3

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