“铸无射”辨析

An Analysis of“Zhu Wu Yi”

发生于公元前522年的周景王“铸无射”事件,是中国先秦音乐理论发展史中旧音阶向新音阶衍变的划时代里程碑,关系到包括今人在内的后人如何认识中国音乐从五律向七律跨越、各种调式形态如何在五律六声七声和七律八声九声音列上并存演化,以及这些调式如何在音乐实践和理论上发展等一系列重大课题。该文通过源头文献辨析、历史文献讨论、乐学逻辑推证和先秦钟律实证,以两仪五度相生新理论为纲,以“阴变之根”无射宫为突破口逆向解锁,揭示2500年前乐律形态的真貌,并证明以二律下沉为纽带的两仪五度相生商调系、宫调系和角调系音系网是从远古至今中国音体系一脉相承的理论根基。

This paper takes the new theory of two-winged circle of fifths as the key link,and takes the Wu-Yi-Gong of“root of yin change”as the breakthrough point of reverse deblocking,reveal the real feature of the temperament form 2500 years ago,and proves that the tonal system network of Shang-mode system,Gong-mode system and Jue-mode system of two-winged circle of fifths linked by Er-lv-xia-chen is the theoretical foundation of Chinese tonal system all along from ancient times to the present.