戈达尔与当代艺术体制中的暴力批判问题

Godard and the Critique of Violence in Contemporary Artistic Institution

法国新浪潮电影的标志性人物戈达尔在二战后“艺术暴力化”潮流的形成过程中贡献重大,突出表现在他对当代艺术体制中相关话语生产方式的引领作用上。他对影像所自然包孕的多元的暴力因子的揭示,显示出某种“暴力图像人类学”的意义。但戈达尔及其同时代人对暴力话题的过分热衷客观上也带来了当代艺术过度暴力化的后果,当前艺术界对暴力展现“无下限、无底线、无疆界”的程度值得反思。

Godard,the iconic figure of French New Wave cinema,has made a significant contribution to the formation of trend of“the violentization of art”after World War II,which is notably manifested in his leading role in the production of related discourses in the contemporary artistic institution.His revelation of the multiplicity of violence elements naturally contained in images demonstrates a certain“anthropology of graphic violence”.However,the excessive enthusiasm of Godard and his contemporaries for violence has also brought about excessive violence of contemporary art.There is“no baseline,no bottom line,or no boundary”on violence in the current art world,which is worthy of reflection.