世界民族音乐学科的研究旨趣与实践指向

The Research Purport and Practical Orientation of the World’s National Music Discipline

鸦片战争之后的百余年里,中国音乐的发展呈现出西方化的倾向,即外来的欧洲文化导向。自20世纪中叶起,特别是进入20世纪80年代以后,以西方音乐、中国音乐为主的二元音乐世界局面被打破,伴随着世界变为地球村,世界民族音乐(1)作为一门年轻的学科逐渐发展起来并促以形成我国当代多元音乐世界的新格局。21世纪后,我国的音乐进入一个崭新的历史发展阶段,音乐世界中的世界各民族音乐文化成为学者的关注热点和研究焦点。由此,本文首先讨论我国不同历史发展阶段对“音乐”概念的理解,其次阐释世界民族音乐学科在我国的研究旨趣和实践指向,进而分析学科研究的文化内涵,体现践行人类命运共同体价值观理念以及对中国乃至世界音乐发展的重要意义。

In the more than 100 years after the Opium War,the development of Chinese music showed a tendency of westernization,that is,the European orientation of foreign culture.Since the middle of the 20th century,especially since the 1980s,the world situation of binary music dominated by Western music and Chinese music has been broken.As the world has become a global village,world’s national music has gradually developed as a young discipline,promoting the formation of a new pattern of China’s contemporary multi-music world.Since the beginning of the 21st century,China's music has entered a new stage of historical development,and the music culture of various ethnic groups in the music world has become the focus of scholars'attention and research.Therefore,this essay first discusses the understanding of the concept of"music"in different historical development stages of China,then explains the research purport and practice orientation of the world’s national music discipline in China,and then analyzes the cultural connotation of the discipline research,reflecting the practice of the values of the community of human destiny and the significance to the development of music in China and even the world.