中国舞蹈人类学研究再思考

Rethinking the Anthropological Study of Chinese Dance

舞蹈人类学是将舞蹈本体形态结构与身体语言的文化表征置于其特定的历史、社会、政治、宗教、民俗等综合语境中进行系统的互动关系考察。它多关注于将身体语言建构的舞蹈文本放置在乐舞表演语境中,考察乐舞本体艺术结构特征与其文化表征之间的相互指涉关系,以及将乐舞本体建构过程与表演行为作为一种文化展演来进行考察的学术理念与研究范式。同时,中国的舞蹈人类学研究应加强“新文科”视野下的,并基于田野工作基础上的跨学科性质的应用与历史层面的舞蹈人类学研究。

Anthropology of dance is a systematic investigation of the interactive relationship between the morphological structure of dance ontology and the cultural representation of body language in its specific historical,social,political,religious,folklore and other comprehensive contexts.It mostly focuses on placing the dance text constructed by body language in the context of music and dance performance,investigating the mutual referential relationship between the artistic structure characteristics of music and dance ontology and its cultural representation,and the academic concept and research paradigm of investigating the construction process and performance action of music and dance ontology as a cultural display.At the same time,the research on dance anthropology in China should strengthen the application of the interdisciplinary nature based on fieldwork and the historical level of dance anthropology research from the perspective of"new liberal arts".