论王士禛的书法审美观

Wang Shizhen’s Aesthetic View of Calligraphy

王士禛推尊晋之钟、王,唐之欧、虞、颜、柳,欣赏富有晋、唐神韵的宋人笔法,美言董其昌及其追随者,体现出非常鲜明的以晋、唐为尚的书法审美观。他以“飞动”概括大字榜书之美,根本上讲亦是一种尚神韵、重气势的晋唐书风,体现出帖学思想对大字榜书审美的旁通渗透。王士禛尚晋唐、重神韵的书法审美观的形成原因:一是彼时统治者大力提倡“二王”书风;二是家庭文化环境的熏陶;三是王士禛将其“神韵”诗学旁通到了书法审美上,使二者会通无碍。

Wang Shizhen spoke highly of Zhong Yao and Wang Xizhi of the Jin Dynasty,and Ouyang Xun,Yu Shinan,Yan Zhenqin,and Liu Gongquan of the Tang Dynasty.Moreover,he appreciated the calligraphy style of the Song Dynasty which has the rich charms of the Jin and Tang Dynasties,and praised Dong Qichang and his followers.All those showed Wang Shizhen’s aesthetic view of calligraphy of the Jin and Tang Dynasties.He summed up the beauty of the big-character writing with“Flying”,which,basically speaking,is also a style of the Jin and Tang Dynasties that focuses on rhyme and momentum and reflects the infiltration of the philosophical thinking of advocating“charm”into the big-character writing.There are three causes for Wang Shizhen’s aesthetic perception of calligraphy such as the emphasis on“charm”.Firstly,the rulers vigorously advocated the styles of writing of“Wang Xizhi and Wang Xianzhi”.Secondly,the family’s cultural environment had a considerable impact on Wang Shizhen’s aesthetic thinking.Finally,Wang Shizhen integrated his“charm”poetics with the aesthetic of calligraphy.