17世纪至18世纪东亚外销彩瓷边饰的审美差异探究

The Aesthetic Differences on the Edging Patterns of the Export Colored Porcelain from 17th Century to 18th Century in East Asia

17世纪至18世纪因欧洲对东亚地区的瓷器有较大进口需求,尤其是对各类釉上彩瓷需求的增加,引起了中日两国瓷器外销的高潮,并通过对外贸易促进了各自国家釉上彩瓷装饰风格的变化。在17世纪内,日本完成了从单纯模仿明代五彩到伊万里彩瓷“和风”的确立;而清三代(康雍乾时期)国内彩瓷装饰也呈现本土与外来纹样相结合的装饰风格。此期间,日本以模仿中国彩瓷开始到逐渐产生自身的日式风格,中国在日本影响下,除了自身的发展外,与邻国日本的装饰元素相结合产生新的流行样式。本文以彩瓷边饰为例,探究该时期两国的装饰审美差异。

In the 17th to 18th century,Europe had the large import demand for porcelain in East Asia,especially the increase of various glaze color porcelain,which caused the climax of porcelain export between China and Japan,and promoted the change of glaze color porcelain decoration style in their respective countries through foreign trade.In the 17th century,Japan completed the establishment of"harmony"from simply imitating the Ming Dynasty to Wanli porcelain"Harmony";and the third generations of the Qing Dynasty(Kang Yong and Qian period)also presented the decoration style of local and foreign patterns.During this period,Japan began to imitate its own Japanese style with Chinese color porcelain.Under the influence of Japan,in addition to its own development,China combined with the decorative elements of neighboring Japan to produce new popular styles.This paper takes color porcelain border trim as an example to explore the decorative aesthetic differences between the two countries during this period.