摘要
砚滴作为我国传统文房用具之一,可以说他的诞生是魏晋南北朝时期各种书画用具的相互协调的产物。其中砚滴主要蕴涵着古人天人合一的造物思想。本文主要以砚滴为研究对象,采用主要层次分析法来研究砚滴的造型、结构、材质、以及各种装饰工艺。进而在此基础上形成砚滴的初级形态的构成。同时对于“砚滴”进行设计以及解构,通过其形状的演变规律的分析以及独特的功能性的研究,分析砚滴的兴起与衰落的发展历程,进而为今后的设计活动提供宝贵的意见。并试图探寻出传统砚滴设计对当下设计活动的启发,进而在产品功能以及消费心理两个层面满足使用者的需求。
This paper mainly explores the development of contemporary blue and white landscape,through the analysis of the difficulties encountered in the process of contemporary blue and white landscape creation,analyzes the contemporary blue and white landscape art community works,inquires about the difficulties in this period of creation,and makes a specific analysis combined with the creation techniques of contemporary blue and white landscape painting.It is divided into three chapters:the first chapter is about the development of contemporary blue and white landscape and its ontological expressive language;the second chapter is about the creation dilemma of contemporary blue and white landscape;the third chapter is about the creation mode of contemporary blue and white art community.Combined with the expressive language of porcelain,it is of great significance to analyze the creative techniques of the works.Only by discussing,studying and summarizing these problems can the contemporary blue and white landscape get better development and inheritance.
作者
赵璐
Zhao Lu(Jingdezhen Ceramic Institute,Jingdezhen,333403)
出处
《陶瓷研究》
2022年第1期115-117,共3页
Ceramic Studies
关键词
传统器具
砚滴
设计结构
Traditional apparatus
Inkstone drops
Design structure