祁连山与裕固族文学艺术构建

Qilian Mountains and the Artistic Constructs of Yugur Literature

从文学地理学视野下考察祁连山与裕固族文学之间的关系,发现二者形成了一个有机的艺术整体。祁连山既是尧熬尔人表情达意、讲说故事的重要背景和对象,也深刻影响了当代裕固族文学的重新建构。通过裕固族文学可充分领略祁连山在裕固族历史文化中的特殊意义与丰富价值。就艺术形态而言,祁连山既是裕固族文学的创作背景和创作母题,又是裕固族文学的抒情对象和叙事空间,还是裕固族文学的精神象征和思想高地。就形象内涵而言,祁连山寄寓着裕固族文学的山水情怀与家园意识,表征着裕固族文学的自然崇拜与神性气质,映射着裕固族文学的生态关怀和忧患意识。

If the relationship between Qilian Mountains imagery and Yugur literature is examined from the perspective of literary geography,we can find that the two have formed an organic artistic whole.The Qilian Mountains are not only the important background and object of expression and storytelling in the oral literature of the Yovhur people,but also have a profound influenced the reconstruction of contemporary Yugur literature.Through the Yugur literature,we can fully appreciate the special significance and rich value of the Qilian Mountains in the history and culture of the Yugur people.In terms of artistic form,Qilian Mountains imagery is not only the creative theme and background of Yugur literature,but also the lyrical object and narrative space,as well as the spiritual symbols and the ideological high ground of Yugur literature.In terms of image connotation,Qilian Mountains imagery implies the landscape sentiment and home consciousness of Yugur literature,characterizing the nature worship and divine temperament of it,and reflecting the ecological concern and worrying consciousness of it.