摘要
《世说新语》一书中不乏与亭有关的故事,这些故事呈现出不同的情节与情感面向。通过分析魏晋南北朝时期亭作为馆驿建筑与游憩建筑的不同场所特性,可知当亭作为聚集和持留的空间时,或在此衍生出或悲或喜的戏剧情景,或以此为寻求自我认同的舞台上演个人的表演情景;当亭不具备触目性从而引导士人的视线看向世界之时,目光所及的亭外风景可引发诸多感慨,亭中人物也能成为观看和品鉴的风景。此外,亭可由居留的地方转变成念兹在兹的地景,成为个人回忆中的独特象征以及被历代文人吟咏的意象。《世说新语》中的亭故事及其后代书写,可视为建筑空间与个体意识的相互定义。
In Shishuoxinyu,there are many pavilion stories covered in different plots and emotional orientation.Pavilions have different spatial characteristics as practical guest stations and amusement buildings.When it acts as a space of aggregation and accommodations,something sad or happy happens there.Or the scholar regards a pavilion as a stage and background,trying to perform itself to seek self-identification.When a pavilion does not have the characteristic of being viewed,scholars look at the surrounding scenery and they express endless emotions;even the people in pavilions can become objects being viewed and commented on.In addition,a pavilion can be transferred from a residence to a landscape borne in mind,becoming a peculiar symbol of the past and the image in the poems written by scholars of different generations.These stories and descendant writings regarding pavilions can be regarded as the mutual definition of space and individual awareness.
作者
陈文芝
CHEN Wenzhi(School of Humanities,Beijing Normal University,Beijing 100875)
出处
《绍兴文理学院学报》
2022年第3期63-70,共8页
Journal of Shaoxing University
基金
教育部人文社会科学研究青年基金项目“扬雄文学与经学思想之关系研究”(18YJC751066)。
关键词
《世说新语》
亭
情景
风景
地景
场所特性
Shishuoxinyu
pavilion
background
scenery
landscape
spatial characteristic
