“关”和“闺”:王昌龄诗的两种情结——兼论王昌龄的家国守望情怀

Frontier Juncture and Boudoir:Two kinds of Complex in Wang Changling's Poems:Also on Wang Changling's Feelings of Keeping Watch over his Family and Country

“关”和“闺”或者与二者相关的物象、意象大量而密集地直接或间接地出现在王昌龄的边塞诗、闺怨诗甚至羁旅赠别诗中,两类意象不仅体现了王昌龄诗的风格,更成了王昌龄诗的两种情结。两种情结也并非互相孤立无关,而是在矛盾中紧密伴随的,共同凝结了王昌龄的守望情怀,前者守望国家、民族,后者守望家园、情爱。

"Frontier juncture"and"boudoir",or objects and images related to both,appear in large numbers and density,directly or indirectly,in Wang Changling's frontier fortress,boudoir resentment and even farewell poems.The two kinds of images not only reflect the style of Wang Changling's poetry,but also become two complexes of his poetry.The two complexes are not isolated from each other,but in close company with contradictions,which together condense into Wang Changling's feelings of watching.The former watches over the country and nation,and the latter watches over the home and love.