从宗教到世俗:晋南地区神庙戏场空间的衍变

From Religion to Secularity:The Evolution of Temple Theater Space in Southern Shanxi

戏台是中国传统建筑类型之一,元代随着戏曲的发展,形制逐渐被确立起来。后经明清发展,频繁建造于广大乡村神庙之中,成为神庙戏场中不可或缺的建筑。另外,神庙之中戏曲的发展,经历了从酬神到娱人的功能转变,这在一定程度上驱动了神庙戏场逐渐从宗教祭祀的场所转为公共活动的场所。文章以晋南地区的神庙戏场为研究对象,在文献阅读和实地调研的基础上,对分布在晋南地区的神庙戏场进行分类,分析其空间要素和空间布局,进而探讨晋南地区神庙戏场空间的大致衍变脉络。

Stage as one of the traditional Chinese architectural types, with the development of drama in Yuan Dynasty, the shape was gradually established. After the development of Ming and Qing Dynasties, it was frequently built in the vast rural temples and became an indispensable building in theTemple theater. In addition, the development of traditional opera in the temple has experienced the functional transformation from paying God to entertaining people, which, to a certain extent, drives the temple theater gradually from a place of religious sacrifice to a place of public activities. Based on literature reading and field research, this paper classifies and analyzes the spatial elements and layout of the temple theatres in southern Shanxi, and then discusses the general evolution of the temple theatres in southern Shanxi.