1Katharine Ann Jensen,and Miriam L.Wallace,“Introduction:Facing Emotions”,PMLA,2015,130(5):p.1249.
2I.A.Richard,Principles of Literary Criticism,London:Routledge,1924/2001,p.81.
3William K.Wimsatt and Monroe Beardsley,“The Affective Fallacy”,in William K.Wimsatt,and Monroe C.Beardsley(eds.),The Verbal Icon:Studies in the Meaning of Poetry,Lexington:University of Kentucky Press,1946,pp.21-39.
4R.S.Crane,The Languages of Criticism and the Structure of Poetry,Chicago:University of Chicago Press,1953.
5Suzanne Keen,“Introduction:Narrative and the Emotions,”Poetics Today,2011,32(1):p.7.
6Patrick Colm Hogan,Affective Narratology:The Emotional Structure of Stories.Lincoln:University of Nebraska Press,2011,p.1.
7Patrick Colm Hogan,Affective Narratology:The Emotional Structure of Stories.Lincoln:University of Nebraska Press,2011,p.2,p.1.
8James Phelan,Living to Tell About It:Rhetoric and Ethics of Character Narration.Ithaca:Cornell University Press,2005,p.217.
9James Phelan,Experiencing Fiction:Judgments,Progression,and the Rhetorical Theory of Narrative.Columbus:Ohio State University Press,2007,pp.5-6.
10James Phelan,Experiencing Fiction:Judgments,Progression,and the Rhetorical Theory of Narrative.Columbus:Ohio State University Press,2007,pp.7-15.
