中国古典文学的跨媒介抒情及其审美演绎

Cross-media Lyricism in Chinese Classical Literature and its Aesthetic Interpretation

抒情是文学的本质。社会生活的多媒介环境决定了文学情性本质不论是在创作、传播、接受的环节,亦或者是在文学生产、美学消费与文化批评等诸多领域,都包含了抒情与媒介之间的相互关系。作为“介质”存在的媒介自身的审美价值以及媒介的介质偏向对文学情性的传达导致不同的美学效应。跨媒介理论的重要意义在于引导我们关注同一主题下两种或者两种以上的媒介对于文本意义生产以及美学阐释的生成机制。口语时代、文字时代、电子媒介时代都存在着主流的、边缘的、常规的甚至反常的媒介,在跨媒介的牵扯交织中去理解文学的前因后果并重新发掘文学潜藏的情性和物性,这对于切换到当下文学生产、文艺问题研究是颇有助力的。

Lyricism is the essence of literature.The multi-media environment of social life determines the nature of literary emotion,whether in the process of creation,communication and acceptance,or in the fields of literary production,aesthetic consumption and cultural criticism,etc.,which all contain the mutual relationship between lyricism and media.As a"medium",the aesthetic value of the media itself and the medium bias of the mediato convey the literary emotion lead to different aesthetic effects.The significance of intermediate theory is to guide us to focus on the generative mechanism of two or more media under the same theme for the production of textual meaning and aesthetic interpretation.Either at the age of spoken language,written language or electronic media,there are mainstream,conventional,marginal and even abnormal media.Under the intermediate theory,we should understand the causes and consequences of literature and rediscover the underlying emotion and physicality of literature,which is of great help to switch to the study of current literary production and literary issues.