清代皮球花纹样的源流及艺术形式

The Traceability and Artistic form of the Pattern of Ball-flower in Qing Dynasty

清代皮球花纹样起源于瓷器装饰纹样,明清时期在服饰上也屡见不鲜。它虽然不如尺寸较大的“喜相逢”等团花纹样那样繁复秀美、细腻雅致,但形态活泼、组合多样,具有其独特的造型趣味和审美寓意。通过查阅与分析文献资料,探讨皮球花源流及演变,解析皮球花纹样组合形式、造型特点及美学价值,希望借此推动传统清代皮球花纹样的传承与发展,为现代服饰图案设计提供更多素材。

The ball-flower originated from the decorative patterns of porcelain in Qing Dynasty, and was also common in porcelain and clothing in Ming Dynasty and Qing Dynasty. Although it was not as large as the size of the “Happy reunion”and other ball-flower patterns,not as complicated and beautiful, delicate and elegant. It was known for various shapes,combination of diversity, as long as its unique modeling interest and aesthetic implication. Through consulted and analyzed literature, this paper discussed the origin, flow and evolution of ball-flower pattern. It analyzed the combination form, modeling characteristics and aesthetic value of ball-flower pattern, hoped to promote the inheritance and development of traditional Qing Dynasty ball-flower pattern, and provide materials for modern costume pattern design.