倪瓒书画题跋略论

On Prefaces and Postscripts of Calligraphy Works of Ni Zan

倪瓒作为“元四家”之一,不仅在绘画上有卓越成就,他还是元末隐逸书家的代表。他以天然古淡的书法风格与其“不食烟火”的特殊个性,将诗书画一体推向了新的高度。本文从倪瓒绘画中的书法题跋入手,着重分析倪瓒小楷书法的独特气质、书法风格与绘画意境的合璧以及作品中的钤印,以期为倪瓒书法研究寻找新的思路。

Listed among the Top Four of the Yuan Dynasty(1279-1368),Ni Zan attained equally outstanding achievement as a calligrapher of the hermitage school as an artist.Natural,not luxurious and somewhat far from the madding crowd,the style of his calligraphy promoted the poem-calligraphy-painting trinity to a new height.Departing from the prefaces and postscripts of Ni Zan’s calligraphy works,the paper focuses on analysis of the unique quality of his fine-size works,the affinity between the style of calligraphy and the artistic attainment of painting,and the seals attached to his calligraphy works,so as to explore an unbeaten track in the study of Ni Zan and his calligraphy.