从“隐世”到“避世”的渔父——个体因素作用下典故的改写、异变与再结合

Yu Fu Images:from“Hidding from World”to“Escaping from World”——Rewriting,Variation and Recombination of Allusions Influenced by Individual Factors

自先秦“渔父”形象作为一种有寓言性质的符号出现以来,在文学作品中不断被创作改写。在这一过程中,其思想形象在中唐时期出现了一次明显的异变:“渔父”的精神内核从道家“隐世”思想变成了儒家“避世”思想,其形象寓意也从他人说教变成了自我抒怀。“渔父”形象由此完成了重新定位,并随着渔父词体式创作的流行得到固化,明清时期又与“樵夫”形象结合成为传统文学中的“渔樵”母题。究其形象改写异变、固化和再结合的原因,除了社会角度外,也可以从作者层面的名人效应和文本层面的文学协乐两方面进行文本聚合的个体因素考量。

it has been constantly rewritten in literary works since the appearance of the“Yu Fu”image as an allegorical symbol in the pre-Qin period.In this process,the ideological image of“Yu Fu”appeared an obvious change in the middle Tang Dynasty:the spiritual core of“Yu Qiao”changed from Taoist“hiding world”to Confucian“excaping world”.And its moral image also changed from preaching to self-expression.Thus,the image of“Yu Fu”was repositioned and solidified with the popularity of the creation of“Yu Fu Poem”.It was combined with the image of“Qiao Fu”and became the motif of“yu Fu”in traditional literature in the Ming and Qing Dynasties.Exploring the reason of character rewriting,variation and recombination,we can not only use the social perspective,but also can consider as the individual factors of text convergence from the author’s celebrity effect and the literary co-music at the text level to conduct.