从《国画月刊》看现代性视域下国画家的自主与自觉

Reviewing the Initiative and Consciousness of Traditional Chinese Painting Artists from Chinese Paintings Monthly

《国画月刊》是中国画会于1934年至1935年主办的美术期刊,其创办与发展的背后呈现了20世纪30年代国画家对于民族文化危机和中国美术发展问题的思考。虽然该月刊仅发行12期便宣告停办,但其在“本位文化”思潮下对提振传统文化自信起到的重要作用却不容忽视。本文以该月刊的创办缘起、艺术观点、经营策略三个方面展开分析,进而明晰《国画月刊》对于确立传统艺术价值、重塑民族文化认同感,以及争取中国美术发展的自主性与话语权而作出的积极探索。

Chinese Paintings Monthly was an art journal by the Association of Chinese Paintings issued in 1934 and 1935.It emerged and developed in the context of Chinese painters’review on the crisis of Chinese culture and the future of Chinese art in the 1930s.Even though the journal stopped publication after only 12 issues,its significance to enhance people’s confidence in traditional Chinese culture in the trend of“native culture orientation”should not be ignored.This study examines Chinese Paintings Monthly from three perspectives,including its establishment,art views and management strategies.The objective is to specify the journal’s proactive efforts in identifying the values of traditional arts,reshaping national cultural identity,and pursuing Chinese arts’independent development.