摘要
文章通过对相关史料的挖掘与整理,尽力勾勒出明代北京艺术市场的基本样貌,除论述交易品类、价格、场所等市场表征外,还致力于探讨鉴藏观念的改变和交易主体的转化等问题。最终指出明代是中国艺术品经营承前启后的重要阶段,北京与江南的书画器玩供给者、购藏者、中介形成互动、联动,共同促进艺术品的生产、流通、消费,使艺术市场在晚明获得相对独立的成长空间,为其后北京乃至全国艺术市场的发展打下了根基。
By collecting and summarizing relating historical materials,the study depicts a primary picture of Beijing art markets in the Ming Dynasty.In addition to features including product categories,prices and transaction locations,the shifts of concepts in appreciating and collecting artworks,changes in transaction entities and several other issues are also discussed.In the conclusion part,the author points out that the Ming Dynasty was a key historical juncture of the artwork business in China when artwork suppliers,collectors and agents from Beijing and the regions south of the Yangtze River fostered the production,distribution and consumption of artworks in their interactions and collaboration.In this way,the art markets in the late Ming Dynasty enjoyed relative independence of growth,laying a foundation for the future development of art markets in Beijing and even nationwide.
作者
吴明娣
常乃青
Wu Mingdi;Chang Naiqing
出处
《美术》
CSSCI
北大核心
2022年第4期115-119,共5页
Art Magazine
基金
国家社科基金后期资助项目“当代北京艺术市场生态研究”(17FYS028)的阶段性成果。
关键词
明代
艺术市场
北京
鉴藏观念
交易主体
Ming Dynasty
art market
Beijing
concepts of art appreciation and collection