德勒兹与图尼埃论“他者”——文学与哲学交互视域下的比较分析

Deleuze and Tournier on the Other: A Comparative Analysis from the Perspective of Literature and Philosophy

图尼埃在他的第一部小说《礼拜五—太平洋上的灵薄狱》中以鲁滨逊岛上历险为叙事框架,重新塑造了荒岛、鲁滨逊与礼拜五的文学形象。德勒兹的文学批评将图尼埃对“他者”的书写延伸为对他者理论的思考。本文以作品与批评为双焦点,比较图尼埃与德勒兹的写作与理论,透视反写鲁滨逊神话折射出三个理论面向:“他者”缺位的空间、“他者”的面孔以及面向“他者”的回归。

In his first novel,Friday,Michel Tournier takes the“Robinsonade”as a narrative frame to reshape the literary figures of the desert island,Robinson Crusoe and Friday.Building on Tournier’s writing on the Other,Deleuze’s literary criticism extends towards a theory of the Other.This paper compares Tournier’s novel and Deleuze’s philosophical works,and by taking a literary work and its criticism as two focal points,endeavors to reconsider three theoretical aspects in Tournier’s subversive rewriting of the“Robinsonade”:the perceptive space in which the Other is absent,the visage of the Other,and the return of the Self facing the Other.