近代白族诗人师源的诗学实践与宗尚取向

The Poetic Practice and Veneration Orientation of Modern Poet Shi Yuan of Bai Ethnic Group

清末民国白族诗人师源有《二余堂诗续稿》刻本存世。师源的诗歌流露出浓厚的家族情怀、展现了广阔的生活场景和时代气息。师源的诗学明显有对儒家诗学“诗言志”传统的持守和清代中原“诗以言性情”理念的接纳,有鲜明的复古倾向,表现在对陶渊明诗的追寻、唐诗的推崇和对宋诗的模拟。师源的创作受清代性灵派的影响,在新体白话诗风涌潮起之际,为古体诗的复兴作出了贡献。

Shi Yuan, a poet of Bai ethnic group in late Qing Dynasty and early Republic of China, left behind him a block-printed poem collection Eryutang Shi Xugao.Shi Yuan’s poems showed profound clan emotions, displayed extensive living scenes and ethos of the times.Shi Yuan’s poetry had apparently inherited Confucian poetic tradition of “poetry expresses aspirations” and accepted the ideas of “poetry expresses true feelings” of the Central Plains in the Qing Dynasty, showed distinct trend of “restoring ancient ways”,which is showed in his pursuit of Tao Yuanming’s poetry, his veneration of poetry of the Tang Dynasty and the simulation of Ci(lyric) of the Song Dynasty.Shi Yuan’s literary creation was under the influence of the school of inner self in the Qing Dynasty, and contributed to the revival of poetry of the ancient style at the turn of the rise of free verses in vernacular Chinese.