形式与远景——细读骆宾基《一九四四年的事件》

Form and Prospects: Close Reading on Luo Binji’s The Incident of 1944

骆宾基在《一九四四年的事件》中以现代小说的独特技法生成了国家话语的远景想象。他运用转述和回溯的叙事形式,将故事置入嵌套结构,制造出多重距离感,尤其表现为事件中心人物内面的空白、回溯带来的时空位移。这些形式要素与大后方特殊的政治情境、战争话语编码、流亡知识分子国家意识的发生等有着深层的关联。骆宾基作为东北流亡作家携带着鲜明的左翼视角,敏锐捕捉到国民党政权的崩塌前兆,想象出新的国家样态。然而,小说的远景仍不甚清晰,骆宾基不急于给出确切的答案,而是以游移的姿态穿透形式与远景。

Luo Binji explored how the unique techniques of modern novels generate prospective imagination of national discourse in The Incident of 1944. He used retelling and retrospective narrative to place the incident into embedded narrative structures, generating multiple senses of distance, especially as the inner blank of the central character and the temporal and spatial displacement. The form elements of the novel are deeply related to the special political situation in the rear area, the encoding of war discourse, and the emergence of the national consciousness of the exiled intellectuals. Luo Binji carried a clear left-wing perspective,keenly captured the collapse of the Kuomintang regime, and imagined a new state. However, the prospects were not clear, which implied Luo Binji was not eager to give the exact answer, but penetrated the form and prospects in a wandering posture.