中阮专业化演奏与教学实践中的地域性戏曲声腔经验探微——以龙江剧为例

A Probe into the Regional Opera Voice Experience in Professional Performance and Teaching Practice in Chinese Ruan——Take Longjiang Opera as An Example

阮是一件有着悠久历史的中国固有乐器,其在当代的专业化转型过程中展现出了对专业作曲、演奏、教学系统适应的同时,也在很大程度上依附于民间以戏曲为主的音乐语境。龙江剧是黑龙江具有代表性的戏曲剧种之一。其特有的地域性音乐风格的构成中,包括声乐唱腔与器乐演奏两个彼此间紧密关联、支撑、影响的重要组成部分。中阮在龙江剧乐队中的演奏,无疑也吸收并充分反映了龙江剧的戏曲音乐风格,中阮音乐创作与演奏实践的地域性戏曲风格把握则显得尤为重要。

Ruan is a traditional Chinese musical instrument with a long history.In the process of contemporary professional transformation,it not only adapts to professional composition,performance and teaching system,but also attaches itself to the musical context of folk opera to a large extent.Longjiang Opera is one of the representative operas in Heilongjiang province.In the compositions of its unique regional music style,vocal singing and instrumental performance are closely related to each other,support and influence the other important components.The performance of Chinese Ruan in the band of Longjiang Opera has undoubtedly absorbed and fully reflected the musical style of Longjiang opera.Thus,it is particularly important to grasp the regional opera style of Chinese Ruan music creation and performance practice.