“龙朔变体”说内涵考辨

Study On the Connotation of "the New Literary Style of Longshuo Period"

对杨炯提出的“龙朔变体”一说,学界的解释众说纷纭。本文结合其产生语境对诸家观点逐一辨析,认为杨炯所批评的是贞观末至龙朔时期的讲究声律、对仗和堆砌辞藻的创作风气。这种风气的代表,虽然有以上官仪为代表的“上官体”,但更多的是以许敬宗为代表的“颂体诗”。“上官体”和“颂体诗”虽然有相像之处,但两者有本质区别。

There are different opinions on the explanation of"the New Literary Style of Longshu Period"put forward by YangJiong.This paper analyzes and differentiates the viewpoints one by one according to the context in which they are produced.It believed that what YangJiong criticizes is the stress on tone and antithesis in the period from the end of ZhenGuan to Longshuo.Although there is"Shangguanstyle"represented by ShangguanYi,there are more"Ode style poems"represented by XuJingzong.There are some similarities between"Shangguan style"and"Ode style poems",but they are fundamentally different.