摘要
浙江音乐学院沿象山而筑,设计试图跳出传统大学校园的围城式布局,在面对城市和自然对场地产生的限定时,分别采用两种截然不同的边界策略对自然和场地予以回应——远山一侧,通过连续的建筑形体限定出校园场地范围;而校园内部则以富有节奏感的形式语汇结合流动的建筑体型,与自然山势,以及与山势融为一体的地景建筑相互呼应。人工构筑的边界与自然生长的边界在此交融对话,形成了生机勃勃且充满戏剧化场景的音乐艺术院校氛围。
Zhejiang Conservatory of Music is situated beside Mountain Xiang,attempting to depart from the traditional siege-style campus layout.Two strategies respond to the limitations of city and nature respectively:on the mountain side,the design specifies the campus's area through a continuous shape;Inside the campus,the design chooses an architectural form combining a rhythmic modal vocabulary with the curvilinear shape,recalling the mountains and the environment merged within it.
出处
《世界建筑》
2022年第4期30-31,共2页
World Architecture