梅兰芳的戏曲美学观

Mei Lanfang’s View of Aesthetics in Traditional Chinese Opera

作为戏曲表演大师的梅兰芳,他之所以能够创作出一系列广受欢迎的戏曲作品,与他有着清晰的戏曲美学观不无重要关系。通过梳理他的有关戏曲美学的表述,可知其戏曲美学观主要表现在五个方面:注重戏曲艺术之饱蕴内神的外形美,注重戏曲创作手法与人物形象的契合,注重舞台表演的剧情规定性,注重戏曲舞台创作的适度与整一,追求戏曲表演的平淡、自然。

Mei Lanfang, as a master of traditional Chinese opera performance, is able to create a series of popular opera works, which are dependent on his clear aesthetic view of traditional Chinese opera aesthetics. To organize his expression about traditional Chinese opera aesthetics, we can know that his aesthetic view on traditional Chinese opera mainly manifests in five aspects: he paid attention to the external beauty which is full of the inner charm of traditional Chinese opera art;he paid attention to the combination of the opera creation technique and character images;he focused on the plot specification of the stage performance;he focused on the moderation and integrity of the creation of opera stage;and he pursued the plainness and naturalness of traditional Chinese opera performance.