近十年中国院线纪录片的发展趋向(2011—2021年)

The Trend of the Development of Documentary in Chinese Cinema Chain in the Past Decade(2011-2021)

中国纪录电影在21世纪的第二个十年迎来了它重返院线的曙光,整体上呈回暖向好的趋势,作品数量和质量较之从前都有了突破,创作主体和客体及接受主体较以往有了新的变化。十年来,进入院线与观众见面的纪录电影涉及现实、历史等多种题材,其创作趋向总体呈现为主流美学、工业美学和新平民美学的共生并进。主流美学和工业美学主潮下的产业化制作与作者式创作的互补,以小人物为主要表现对象的日常生活审美化与新平民叙事,内容创作、拍摄资金、放映场次等方面的众筹和互动的积极参与,是这个十年中国院线纪录片在创作主体、创作客体和接受主体三个方面所显现出来的主要表征和发展趋向。

Chinese documentary came back to cinema chain in the second decade of the 21 st century and the general trend is promising as the number and quality of documentary is improved and new changes are seen in terms of creation subject, audience and receiving subject. In the past decade, the documentary that has been shown in the cinema with audience concerns many realistic and historical themes and the trend of creation reflects co-existence and co-progress of main-stream aesthetics, industrial aesthetics and neo-civilian aesthetics. There are three aspects, in terms of creation subject, creation object and receiving subject, from which the main features and developmental trends of Chinese cinema chain documentary in the past decade can be seen. The first is that industrial production and author creation are complimentary to each other in the main-stream aesthetics and main-stream of industrial aesthetics. The second concerns the aestheticization of everyday life of nobody and neo-civilian narration. The third refers to the crowdfunding in content creation, shooting fund and show session and the active participation in interaction.