现代音乐美学对新民歌《锦瑟》表演的影响

The Influence of Modern Music Aesthetics on the Performance of the New Folk Song The Zither

新民歌作为民歌的传承与创新,迎合了现代观众的审美需求。音乐美学作为一门古老的学科,为新民歌的表演提供了美学上的理论参考。以现代现象学和现代诠释学的相关理论为基石,本文总结出在现代音乐美学的影响下新民歌表演具有“忠于原作与二度创作相结合”“历史视界与现实视界相统一”和“演唱技巧与表演情感相交融”三大原则,继而以三大原则为指导,阐述现代音乐美学视域下歌曲《锦瑟》的实践表演,以期能丰富新民歌的音乐实践以及丰富现代音乐美学理论机制。

As the inheritance and innovation of folk songs,new folk songs cater to the aesthetic needs of modern audiences.As an ancient discipline,music aesthetics provides an aesthetic theoretical reference for the performance of new folk songs.Based on the relevant theories of modern phenomenology and modern hermeneutics,this paper concludes that under the influence of modern music aesthetics,new folk song performances have the characteristics of“combination of loyalty to the original work and secondary creation”,“unification of historical and realistic horizons”and“integrating singing skills and performing emotions”.And then guided by the three principles,the performance of the new folk song The Zither is discussed,and the artistic characteristics of its practical performance are expounded,which aims to enrich the musical practice of the new folk songs and the theoretical mechanism of modern music aesthetics.