论鲁迅作品中“坟”意象的隐喻性书写

On the Metaphorical Writing of the “Grave” Image in Lu Xun’s Works

“坟”意象的隐喻性书写在鲁迅的作品中是很普遍的现象,是鲁迅自我言说的一个特色,体现了鲁迅文学的独特言说方式和思维特点,表达了鲁迅对个体死亡价值以及自我精神困境的思考,但在鲁迅研究中基本处于“缺席”的状态。本文通过呈现鲁迅文集《坟》与其他作品中“坟”意象的隐喻性书写图景,结合其创作技巧与叙事功能加以阐释,深入探寻“坟”意象隐喻性书写背后反映的精神诉求,有助于我们进一步了解鲁迅创作的诗学与艺术向度,为我们解开鲁迅思想编码提供一个重要视角。

The metaphorical writing of the “Grave” image is a very common phenomenon in Lu Xun’s works. It is a feature of Lu Xun’s self-speaking, reflecting the unique way of speaking and thinking of Lu Xun’s literature, and expressing Lu Xun’s personal death value and self-spiritual dilemma. However, in the study of Lu Xun, it is basically in a state of “absent”. This article describes the metaphorical writing scene of the “Grave” image in Lu Xun’s works, combines his creative skills and the narrative functions to interpretation, and deeply explores the spiritual appeal reflected behind the metaphorical writing of the “Grave” image, which will help us to further understand Lu Xun’s creation. Poetics and artistic dimensions provide a perspective for us to unravel the code of Lu Xun’s thoughts.