从批判启蒙到文化认同——论“三三”谱系作家小说的民俗书写

From Critical Enlightenment to Cultural Identity:On the Folk Custom Writing in the Novels of Sansan Genealogy Writers

台湾“三三”谱系作家既继承了五四新文化传统,也受到了中国传统文化的熏陶。他们的小说既对落后的陋俗和愚昧的民众的批判,表达了现代启蒙的必要和意义;也对民间寄予着“礼失而求诸野”的“审美认同”,意图通过民俗书写来重建中华礼乐文化;还将民俗书写转化为追索家族根源、辨析族群身份和表达文化认同的有效载体和依托。他们的民俗书写展现出了多彩面貌和丰富内涵,虽然意义不断流变,但证明了中华文脉在台湾的绵延相传。

Taiwan’s SansanGenealogy writers not only inherited the May 4th new literary tradition,but also were influenced by traditional Chineseculture.Their novels criticize the backward vulgar and ignorant people,and express the necessity and significance of modern enlightenment;it expresses the aesthetic identity of "looking for lost etiquette in the countryside ",with the intention of reconstructing the Chinese rites and music culture through folk custom writing;it also turns folk writing into an effective carrier and support for tracing family roots,distinguishing ethnic identity and expressing cultural identity.The significance of their folk custom writing is constantly changing,showing a colorful appearance and rich connotation,proving the continuity of Chinese culture in Taiwan.