解读黄锦树《雨》中雨意象的多重可能

The Interpretation of the Multiple Possibilities of the Image of Rain in Kim-chew Ng’s Rain

《雨》作为黄锦树在大陆引进的第二部作品,出版不久即广受好评,并一举夺得“首届北京大学王默人——周安仪世界华文文学奖”。小说中绮丽磅礴的南洋风情,苦难深重的历史过往,以及温柔悲悯的生命关怀,都溶解在湿意氤氲的雨幕之中,使作品获得了诗意的超越和独特的审美价值。因而本文选取雨意象为切入点进行分析。首先,热带之雨以其特有的滂沱,搭建了作家重返生命经验的通道,并承载着其沉重的乡愁。此外,雨意象还联系着时间,同时具有叙事上的功能性作用和自身的隐含意义。最后,黄锦树将生死变形的命题隐喻在雨意象之中,在生命的轮转中不断地进行自我解构与重建,并寄寓着其深刻的文化承担。

Rain,asKim-chew Ng’s second work introduced to the mainland,was widely acclaimed shortly after its publication and won“The first Peking University Wang Moren-Zhou Anyi World Award for Chinese Literature”.The tropical scenery of Southeast Asia,history of deep suffering and humanitarianism full of compassion in the novel are dissolved in the rain.Rain gives the work obtain poetic transcendence and unique aesthetic value.So this paper selects the rain image as the base for analysis.Firstly,the tropical rain,with its unique torrential,builds a channel for the writer to return to life experienceof native land and carries his heavy homesickness.In addition,the image of rain is also associated with time.It has the narrative function and its own implicit meaning.Finally,the rain image is a metaphor for the proposition of life and death deformation.Kim-chew Ng constantly deconstructed and rebuilt himself in the rotation of life,rendering his profound cultural commitment.