叶燮“识”论及其佛学渊源与美学意义

Ye Xie’s Theory of “识(shi)” and Its Buddhist Origin and Aesthetic Significance

以叶燮《原诗》中的“识”为研究对象,阐释“识”的理论内涵,指出“识”包含的理性和感性双重因素,强调主体的地位和作用,与佛学“心性论”有着深刻联系。受此影响,叶燮“识”论强调审美主体的独断能力,提供一种执中的审美原则;“识”融通物、我两端,促进意象的生成。

Taking the“识(shi)”in Ye Xie’s The original of Poetry as a study object,it explained the theoretical connotation of“识”,pointd out it contained both rational and perceptual factors,and emphasized the status and role of the subject,and had a profound relationship with the Buddhist Mind-nature Theory.Affected by this,Ye Xie’s“识(shi)”theory emphasized the arbitrary ability of the aesthetic subject and provided an aesthetic principle of persistence.“识(shi)”integrated the two ends of the object and the self,and promoted the generation of aesthetic images.