摘要
由于历史原因,古代江南文人文化的重要组成部分——苏派砚雕——在近三十年来陷入低谷,苏州砚文化颓唐式微,逐渐被人遗忘。文章通过产业、文化两个角度以及苏派砚雕技艺尚存、苏州文化底蕴深厚、中国书房文化复苏等方面阐释了当下重振苏砚的必要性和可行性,并探究近年来“一亩砚田”品牌实践和探索的经验,为重振苏砚提供参考。
Due to historical reasons,Suzhou-style inkstone carving,an important part of the ancient literati culture in the south of the Yangtze River,has fallen into a nadir in the past three decades.The Suzhou inkstone culture has been on the wane,and become oblivious gradually.This paper explains the necessity and feasibility of revitalizing Suzhou inkstone from the perspectives of industry and culture,and from the aspects of the remaining Suzhou inkstone carving skills,the profound cultural deposits of Suzhou,and the revival of Chinese study culture,and explores the experience of brand practice and exploration of“YimuYantian”in recent years,so as to provide reference for revitalizing Suzhou inkstone.
作者
蔡春生
CAI Chunsheng(Huishi Studio,Suzhou 215000,China)
出处
《苏州教育学院学报》
2022年第1期21-26,共6页
Journal of Suzhou College of Education
基金
国家社会科学基金项目(21BTQ085)
江苏省社科应用研究大运河(江苏段)文旅融合发展协同创新基地。
关键词
苏砚
苏作
砚雕
“江南文化”品牌
书房文化
Suzhou inkstone
Suzhou artware
inkstone carving
brand of“Jiangnan Culture”
study culture