摘要
在当代非遗刺绣宣传片中,女性形象主要被建构为刺绣技术传播者,而较少出现与刺绣文化的个性互动和参与其中的身心体验,从而呈现出静态性、封闭性和保守性特点。当代非遗文化传播者应由技术传播向文化传播转化,通过强化人技互动,凸显非遗文化传播的时代新貌。
In modern media,the development of intangible cultural heritage culture is closely related to the image of the disseminator.Embroidery is closely related to women,so women are often used as disseminators in contemporary intangible cultural heritage embroidery publicity films,but they are generally constructed as Inheritors of skills and lack of subjectivity participation in embroidery culture.Women are a static symbol of intangible cultural heritage.The article thinks that the contemporary intangible cultural heritage culture communication should turn from the“technology”communication to the“human”communication.
作者
桑莉
SANG Li(School of Gerenal Education Chongqing City Management College,Chongqing 401331,,China)
出处
《黑河学刊》
2022年第1期14-20,共7页
Heihe Journal
基金
山东省社科规划项目“社会性别视角下女性网络舆情分析与对策研究”,编号:18CHLJ35。
关键词
非遗
刺绣
女性
传播
“学习强国”
Intangible cultural heritage
embroidery
women
spread
learning to be a great power