诗性电影的意象生成

The Formation of “Yi Xiang” of Poetic Films

意象是中国美学的重要范畴。诗性电影的“意象生成”始终是贯穿于中国电影史的核心命题,它关乎中国电影的美学精神和文化品格。百年中国电影史的目标是确立中国电影的文化身份和美学品格,从而确证中国电影在世界电影史上不可替代的意义和价值。“意象生成”对于中国电影的美学理论建构,具有重要意义。本文力求把中国美学的研究方法和价值意义引入电影美学的研究,考察中国电影的美学内涵,从而发现中国电影的独特意义,构建有中国色彩的电影美学。

“Yi Xiang” is an important category of Chinese aesthetics. Film’s formation of Yi Xiang is a key proposition of Chinese film history, which is related to the aesthetic spirit and cultural character of Chinese films. The goal of Chinese film history is to establish the cultural identity and aesthetic character, so as to confirm the irreplaceable significance and value of Chinese films in the history of world film. Yi Xiang is of great significance to the construction of aesthetic theory of Chinese films. This paper strives to introduce the research methods of Chinese aesthetics into the study of film aesthetics and examine the aesthetics value of Chinese films, so as to discover the unique meaning of Chinese films and construct film aesthetics with Chinese characteristics.