可表演性视角下《茶馆》英若诚译本研究

A study of Ying Ruocheng’s translation of Teahouse from the perspective of performability

关于戏剧翻译,目前译者常见的处理方式有两种.一种是把其当作文学作品来翻译,译文强调作品的可读性;一种是把其当作舞台作品来翻译,译文强调作品的可表演性.《茶馆》是一部极具中国文化特色的话剧,已经被搬上国际舞台且受到欢迎.在《茶馆》走出国门的过程中,翻译发挥了重要的作用.基于“可表演性”视角,文章分析了老舍代表作《茶馆》英若诚先生译本的特色,期望为戏剧翻译策略提供一点思考.

As for drama translation,there are two common ways to deal with it.One is to translate it as a literary work,and the other is to translate it as a stage work.Teahouse is a drama with typical Chinese cultural characteristics,which has been put on the international stage and gains popularity.In the process of going abroad,the effect of translation is beyond doubt.From the perspective of performability,this thesis tries to explore the feature of Ying Ruocheng’s translated version of Lao She’s representative work Teahouse,thus to make a little contribution to the drama translation studies.