乾隆年间宫廷造作中的外来影响——以珐琅为例

External Influence on Royal Court Artworks Created in Qianlong Period--Taking Enamel as an Example

17-18世纪初随着海上丝绸之路的开通以及传教士的传播,中西方文化交流逐渐发展到高潮。清乾隆时期是中国封建社会发展的极盛时期,同样也是西方艺术发生剧烈嬗变的时期。与此同时法国宫廷艺术与清宫廷艺术在审美趣味上引发高度共鸣。通过对乾隆年间珐琅彩的装饰式样与器型的梳理,以珐琅彩中写实的西方绘画手法以及繁缛的装饰艺术,来阐述中西方文化交流的意义,进一步研究17世纪至18世纪中西方文化艺术间的碰撞与融合。

With the opening of the Maritime Silk Road and the spread of missionaries in the early 17th and 18th centuries,cultural exchanges between China and the West gradually developed to a climax.The Qianlong period of the Qing Dynasty was the heyday of the development of Chinese feudal society,and in tliis period Western art also underwent dramatic changes.At the same time,French royal court art and Qing court art resonated liighly in aesthetic taste.Through the combing of the decorative styles and utensils of the enamels during the Qianlong period,this paper uses the realistic Western painting techniques in the enamels and the complicated decorative arts to illustrate the significance of cultural exchanges between China and the West,and further studies the collision and fusion between Chinese and Western culture and art from the seventeenth century to the eighteenth century.