摘要
意大利文艺复兴时期商品经济的繁荣与人文思想传播,马约里卡陶器从实用器皿发展到具有审美价值的艺术品,与当时的壁画、版画以及雕塑艺术的跨体互文共同体现了艺术之间相互关联的意义。对马约里卡陶器互文性研究之可能以及“母题挪用”“结构置换”“典范模仿”的互文性表现进行分析,并从整体上揭示马约里卡陶器文化形态的特征与变迁。
With the prosperity of the commodity economy and the spread of humanistic ideas during the Italian Renaissance,Maiolica pottery has developed from a practical vessel to a work of art with aesthetic value.The cross-body intertextuality between pottery and the frescoes,prints and sculpture art at that time embodies the significance of the interconnection between arts.This article analyzes the possibility of intertextuality of Maiolica pottery and the intertextual performance of motif appropriation,replacement of structure and model imitation,and reveals the characteristics and changes in the cultural form of Maiolica as a whole.
作者
史文轩
SHI Wenxuan(Chinese National Academy of Arts,Beijing 100000,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2022年第4期91-97,共7页
China Ceramics
关键词
意大利文艺复兴
马约里卡
锡釉陶
互文性
文化形态
Italian Renaissance
Maiolica
Tin-glazed pottery
Intertextuality
Cultural form