《野草》“双声语对话体”的诗性探微与溯源

Poetic Exploration and Investigation of“Double-discourse Dialogue”in Wild Grass

《野草》是一部有着散文的形式和诗的内核的伟大现代性诗学作品。在《野草》中,诗人鲁迅使用以对峙和争辩为特征的“双声语对话体”,构成了由若干接续不断的尖锐二元对立矛盾组成的一个巨大矛盾旋涡,又在二难困境与二元对立的矛盾旋涡里寻找并创造了名为“归处”“敌人”“语言”和“自我”的“中间地带”,在这个过程里诞生的新的语言形式,既是中国诗歌由古典范式中脱出、迈出极具现代性的里程碑式的一步,也是诗人鲁迅在这个自己创造的、纠结了无数矛盾且永不闭合的开放场域里,踏上永恒的“走”的旅途的一步。

Wild Grass is a great modern poetic work with the form of prose and the core of poetry.In Wild Grass,the poet Lu Xun uses a“double-discourse dialogue”characterized by confrontation and argument,to constitutes a huge contradiction vortex composed of continuous and sharp binary oppositions and contradictions.In the vortex of dilemma and dual opposition,Lu Xun has sought and created a“middle zone”called“destination”,“enemy”,“language”,and“self”.The new language born in this process not only symbolizes that Chinese poetry has stepped out of the classical paradigm lacking metaphor and has taken a very modern step,but also a step for the poet Lu Xun to embark on the eternal journey of“walking”in this open field with countless contradictions and never closed created by him.