文化的艺术呈现与作家的百年孤独——评黄青松长篇小说《毕兹卡族谱》

The Artistic Presentation of Culture and the Writer’s Hundred Years of Solitude:On Huang Qingsong’s Long Novel Bizika Genealogy

黄青松长篇小说《毕兹卡族谱》,抛弃被格式化的写作技巧,运用审视与魔幻相结合的方式进行文化展示,探索“族谱体”小说创作路数,通过花桥这个土家族村寨的“前时代”“远时代”“近时代”及“后时代”等四个时代不同文化现象的描述,艺术地呈现了花桥的整体文化形态,堪称一曲全球化时代东方传统乡土社会的悲歌。《毕兹卡族谱》的创作也表明,当一个作家以自己的民族文化为对象进行艺术创作的时候,他就进入到一个悖谬里面,陷入到艺术创作与文化理性的矛盾中。艺术是充满激情的东西,理性是冷静的东西。艺术创作越是追求爱与理性的平衡,作家就越不容易被人理解;艺术创作中爱与理性越趋于平衡,作家的孤独感就会越加明显。

Bizika Genealogy is a novel written by Huang Qingsong, which discards formatted writing skills, uses a combination of examination and magic to show culture, and explores a “genealogy” style of novel creation mode.Through the description of the four different cultural phenomena of Huaqiao village in the “pre-era”, “distant-era”,“near-era” and “post-era”, the author artistically describes the overall cultural form of Huaqiao village and presents us a lament of traditional eastern rural society in the era of globalization. The creation of Bizika Genealogy also shows that when a writer starts literary creation with his own ethnic culture as the object, he enters into a paradox,that is, the contradiction between artistic creation and cultural rationality. Art is something full of passion, and reason is something calm. The more artistic creation pursues the balance between love and rationality, the less easily the writer will be understood;the more balanced love and rationality in artistic creation, the more obvious the writer’s sense of loneliness will be.