电影《孤味》:东方家庭的情感伦理反思

Emotion Ethics of Eastern Families:Reflections on Little Big Women

电影《孤味》通过一个家庭三代人之间的情感冲突,揭示中西伦理观念碰撞与融合。电影从式微父权入手,塑造父位缺席下的家庭女性群像,以家庭成员之间的体谅和解,展示了中西伦理对话与和谐共融的可能。在角色塑造上,影片弱化了男性角色,以反传统的母亲形象强调女性主体地位的回归,为女性演绎自我创造一个更广阔的舞台空间。在中西家庭文化不断相互浸润的当下,展现传统“家文化”在现代的传承与重新诠释。

Through the intergenerational emotional conflict between three generations of the family,the film“Little Big Women”reveals the essence of the clash between Chinese and Western ethical concepts.Starting from the diminished patriarchal power,director Joseph Chen-Chieh Hsu’s portrays women in the absence of fatherhood and shows the possibility of dialogue and harmonious integration between Chinese and Western ethics through the understanding and reconciliation among family members.In terms of character shaping,the film weakens the proportion of male characters and emphasizes the return of female subjectivity by a mother’s image that contradicts the traditional role design,which creates a broader stage space for women to interpret their loss and return.At a time when Chinese and Western family cultures are constantly intertwined,the film seeks to pass on and interpret the traditional“family culture”in modern times.