《费加罗的婚礼》中伯爵的人物塑造及演唱分析

Characterization and Singing Analysis of the Count in Figaro’s Wedding

歌剧《费加罗的婚礼》为贵族阶层树立一个正面光辉的形象,莫扎特通过略带夸张的艺术处理,成功的塑造了剧中这位反面人物。本文将从音乐的角度研究剧中伯爵的主要选段,对角色的人物性格和特点结合剧情进行细致的分析,并结合自己的学习和实践经验,重点从咬字、情感表达、角色把握等方面,对伯爵重点唱段的演唱部分进行分析。

The theme of the opera Figaro’s Wedding was too sensitive at that time.It was different from other operas and set up a positive and brilliant image for the aristocracy.Mozart successfully shaped the villain in through slightly exaggerated artistic treatment.This paper studies the main excerpts of the count in the play from the perspective of music,makes a detailed analysis of the character and characteristics of the characters,combined with the plot,their own learning and practical experience,focusing on the singing part of the count’s key aria from the aspects of articulation,emotional expression and role grasp.