摘要
近年来,非虚构文学作品的影响力越来越大。非虚构文学作品引起国内读者的广泛关注,始于《中国作家》和《人民文学》杂志对非虚构文学作品的刊发及引导,以及网络新媒体平台的助推。国内非虚构文学作品以梁鸿的“梁庄”系列作品为代表,以时空和情感“双重在场”的方式,呈现了对社会底层“小人物”的关注,具有独特的社会价值和艺术魅力。
Non-fiction literature has become increasingly influential in recent years.Non-fiction literature began to attract extensive attention from domestic readers when magazines like Chinese Writers and People’s Literature published and guided non-fiction literature,and the new media platforms on the Internet also took a part of it.Domestic non-fiction works,represented by Liang Hong’s Liang Zhuang series,show the focus on the“little Character”at the bottom of the society by the“double presence”of space-time and emotion,,which has unique social value and artistic charm.
作者
成艳军
CHENG Yanjun(Zhengzhou Technical College, Zhengzhou, Henan 450121, China)
出处
《中州大学学报》
2022年第2期27-31,共5页
Journal of Zhongzhou University
基金
2021年度河南省教育厅人文社科项目“当代文学视域下的非虚构文学研究”(2021-ZZJH-496)。
关键词
非虚构文学
时空在场
情感在场
“人民性”
non-fiction literature
space-time presence
emotional presence
“People’s character”