论哈琴反讽美学的元现代性

On the Meta-Modernity of Linda Hutcheon’s Ironic Aesthetics

加拿大当代文艺理论家琳达·哈琴以其独特的反讽理论迥然有别于历史上的反讽理论,也不同于同时期的后现代反讽观。她将反讽同后现代政治结合在一起,并试图改变后现代主义文化的解构性内核,在“后现代之后”的文化语境中重建具有张力和建设性的文化理论。正是在这一点上,哈琴的反讽政治美学同元现代主义理论有了诸多的相通之处,可以共同迎接“后现代之后”文学理论及文化理论发展的重大挑战。

Linda Hutcheon,a contemporary Canadian literary and art theorist,is quite different from the historical irony theory and the postmodern irony view of the same period with her unique irony theory.She combines irony with postmodern politics,and tries to change the deconstructive core of postmodern culture and reconstruct the major problems of cultural theory with tension and constructiveness in the cultural context of"post-postmodern".It is at this point that there are many similarities between Hutcheon's ironic political aesthetics and meta-modernism,which can jointly meet the major challenges of the development of literary theory and cultural theory after postmodernism.