阈限·交融·记忆:滇西北奔子栏拉斯节的锅庄歌舞实践

Liminal,Blending and Memory:the Practice of Guozhuang Singing and Dancing Performance during La-si Festival in Ben-zi-lan Town of Northwest Yunnan Province

滇西北奔子栏锅庄根据不同的唱跳场合和功用,可分为三种类型:宗教仪式中的锅庄、民俗庆典中的锅庄和集体娱乐中的锅庄。于当地人来说,奔子栏锅庄不仅意味着娱乐自身,更重要的是娱乐山神,达到人神共娱的目的,使其成为介于神圣仪式和民俗舞蹈间的一种歌舞。作为一种祭祀乐舞和价值观念的传播方式,奔子栏锅庄反映了祭祀仪式的动态变化及其从神圣转向世俗的阈限过渡性和交融性。奔子栏人通过不断重复程式性的仪轨过程,凸显其独特的信仰和维持社群单位的身份,以彰显锅庄作为当地人身份记忆方式的价值和意义。

According to different singing occasions and functions,Guozhuang singing and dancing in Ben-zi-lan Town of Northwest Yunnan Province can be divided into three types,that is,for religious ceremony,for folk celebration and for collective entertainment.For the local people,Guozhuang singing and dancing in Ben-zi-lan Town not only aim to entertain themselves,but more importantly,to entertain mountain deities and thus achieve the purpose of entertaining people and deities as well,making it a kind of song and dance between sacred ceremonies and folk dance.As a way of spreading sacrificial music,dance and values,it reflects the dynamic changes of sacrificial ceremony and its transition from sacredness to secularity and their blendings.By constantly repeating the ritual process,Ben-zi-lan people highlight their unique beliefs and maintain their community identity,so as to strengthen the value and significance of Guozhuang singing and dancing as a way to convey local identity memory.