渐沐汉风:南越王墓形制与壁画来源考释

On the Origins of Burial Forms and Murals in Nanyue King's Tomb

南越王墓作为秦汉考古与艺术研究中的重要遗存,多年来备受学界瞩目。在归纳墓葬特征的基础上,借助考古学的文化因素分析与艺术学的壁画研究,理解到南越王墓与中原文化的密切关系,认识到南越王墓是一种以中原文化为内核,本土文化为外套的复合文化体。在理解墓葬文化内涵的基础上,结合文献史学解析出南越王家族渐沐汉风、逐渐汉化的政治态度与文化抉择。认同中原的心理为多元一体汉文化的形成埋下了统一的伏笔。

As an important relic of archaeological and artistic research in Qin and Han Dynasties,Nanyue King’s Tomb has been attracting great attentions in academia for many years.By summarizing the characteristics of tomb,this essay argues that Nanyue King’s tomb is a culture complex with the culture of Central Plains as its core and local culture as its coat to learn the close relationship between Nanyue King’s tomb and the culture of the Central Plains with reference to the cultural factors of archeology and studies in the field of mural arts.By understanding the cultural connotations of Nanyue King’s tomb based on the materials in literatures and histories,we hold that Nanyue family gradually accepted Han culture and identified themselves with Han culture in political attitudes and cultural selection and thus laid a foreshadowing for the formation of unified and pluralistic Han culture.