摘要
展览叙事是博物馆策展对文学研究理论借鉴与吸收的产物,随着社会文化观念的发展和博物馆社会功能的转变,展览叙事的转向在目前博物馆策展实践中越来越受到关注。展览“‘影迷’鲁迅”从“影迷”的叙事角度切入,在“对话+自叙传”的叙事模式下,构建一个以电影镜头倒叙展开、以第一人称视角建构的展览叙事结构。该展览既是对展览传统叙事模式的突破,也是对人物类展览叙事可能性的一种尝试与探索。
"Exhibition narrative"is the product of borrowing and absorption of literary research theory by museum curation.With the development of social and cultural concepts and the transformation of museums’social functions,the shift to"exhibition narrative"has received more and more attention in current museum curatorial practice.The exhibition"Lu Xun,the Cinephile"took the perspective of a film fan and,in the mode of"dialogue and self-narration,"constructed a narrative structure that was unfolded from a flashback and narrated in the first person.This is a breakthrough of traditional narrative methods and an exploration of the narrative possibilities of exhibitions that are centered around persons.
出处
《艺术与民俗》
2022年第1期11-17,共7页
Journal of Arts and Folklore
关键词
展览叙事
影迷
鲁迅
对话
自叙传
Exhibition Narrative
Cinephile
Lu Xun
Dialogue
Self-narration