张抡宋词的设色方法与设色形象

The color setting methods and image of Zhang Lun′s Song Poems

为了研究宋词艺术魅力中的色彩美,以张抡宋词为作为切入点,结构化地整理张抡宋词中的色彩文字符号,加入同时期词人画家作品进行对比补充,得到较为立体的张抡色彩世界。通过语义场理论和作品本体论对张抡宋词的色彩美进行研究,发现张抡宋词的色彩画面以红绿色调为主,通过空气介入法、晕染法和中和平衡法的设色方法达到了色艳词清的艺术效果,并在色彩画面中隐含自然本色、明媚清丽及融入净土的设色性格形象。该研究不仅可以为色彩研究提供新思路,同时也能更好地传播中国传统文化中的色彩魅力。

In order to study the beauty of colors of artistic charm in Chinese Song Poems, we used Zhang Lun′s Song Poems as an entry point, structurally sorting out the color character symbols in his poems, and adding the works of poets and painters of the same period for comparison and supplementation. This shows Zhang Lun′s color world in a more three-dimensional way. Based on the Semantic Field Theory and the Ontology of Works, we can find that the color picture in Zhang Lun′s Song Poems is dominated by red and green. In his color picture, Zhang Lun achieved the artistic effect of strong color but clear words through the methods of air intervention, sfumato, neutralizing and balancing. What′s more, it also integrates the natural color, the bright and radiant color as well as the Buddism pure land thought. Taking Song Poems as the carrier of color research can not only inject new inspiration for color research, but also better spread the charm of color in traditional Chinese culture.