摘要
阿富汗裔美国作家卡勒德·胡塞尼的三部作品都无一例外地聚焦和阐释了对家的渴望和对国之命运的淡淡忧伤,胡塞尼在“现实”与“虚构”中,在“他者”与“自我”之间,用温婉而又高超的艺术实践构建“迁就、抵抗、或杂糅”独特的阿拉伯情怀。文章在探究胡塞尼独特的文化实践和文学抒写方式时,拟用“隐喻艺术思维”视角来探究胡赛尼如何运用独特的“家国”群像意象达到感情与理性共振的高超艺术境界。
It is no doubt that the Afghan-American writer Khaled Hosseini’s three works depicted the longing for homeland and the light sorrow for the destiny of the country. Although he wandered off between reality and fantasy, struggled between the "other" and "self", he still constructed his unique Arab feelings of "compromise, resistance, or hybridity" with his gentle and superb artistic practice. Therefore, from the perspective of "metaphorical artistic thinking", this paper analyzes the coupling between Hosseini’s artistic originality and homeland complex, and explores how the novel uses metaphorical thinking to achieve the superb artistic realm of emotional resonance and rational thinking.
作者
冯晓华
FENG Xiao-hua(School of Foreign Languages,Hanjiang Normal University,Shiyan 442000,China)
出处
《汉江师范学院学报》
2022年第2期15-19,共5页
Journal of Hanjiang Normal University
基金
2018年汉江师范学院校级科研重点项目“聚焦叙事视野下胡赛尼小说的文本透视”(基金项目:2018A04)。
关键词
卡勒德·胡塞尼
家国
隐喻艺术思维
Khaled Hosseini
homeland
metaphorical artistic thinking