基于互映现象的艺术阐释:以勒巴舞为中心的案例解读

The Artistic Interpretation Based on the Mirroring Phenomenon: A Case Study of Leba Dance

在强调艺术与历史情境之关联的基础上,引入不同艺术形式作为参照,可期发现单一艺术文本研究所难以企及的考证和阐释线索。在勒巴舞研究中,引入门巴戏、热巴舞等艺术形式进行对照,基于互映现象考察藏族文化边缘地的艺术形式的记忆共同体并进行阐释和解读,这将有助于形成艺术发生、整合和变迁理解的新思路。以勒巴舞同其他舞蹈之文化特质延续显示的艺术互映现象,体现了位于藏族文化中心与边缘带的艺术之延续性;构建于“撵鬼趋吉”实用功能之上的仪式对艺术形式起到固化作用,留存了对照的线索;艺术形式在重复性及现实化的博弈中,一方面呈现连续性和相似性,另一方面则体现多样性。

On the basis of emphasizing the connection between art and historical context, and bringing in different art forms as references, it is possible to find textual evidence and interpretation clues that are difficult to reach by a single art textual research. The study on Leba dance introduces art forms such as Menba opera and Reba dance for comparison, investigates the common memories of art forms on the fringe of Tibetan cultural circle, and interprets them based on the mirroring phenomenon, which is beneficial to form a new way to understand the occurrence, integration and change of art. The mirroring phenomenon of art reflected by the cultural characteristics of Leba dance and other dances, embodies the continuity of art forms existing at the edge of cultural center. The construction of rituality upon the practical function of “expelling evil spirit and pursuing good fortune” solidifies the art forms and preserves the clues of comparison. In the struggle between repetition and actualization, art forms present continuity and similarity on the one hand, and diversity on the other hand.